Netflix et le mépris de l’art cinématographique : un regard critique sur l’avenir de la plateforme

Netflix et le mépris de l’art cinématographique : un regard critique sur l’avenir de la plateforme

Netflix CEO believes films would have found success on the streamer

According to Netflix CEO, the blockbuster movies “Barbie” and “Oppenheimer” would have reached a large audience on the streaming platform just as they did in theaters. The focus on clicks, views, and reaching new audiences is evident in these statements. The emphasis on profit rather than vision is a prevailing sentiment at Netflix.

The cultural significance of big-screen cinema

Despite criticisms within Hollywood, filmmakers like Christopher Nolan advocate for creating movies meant for the big screen. These cinematic experiences are revered for their cultural impact and ability to captivate audiences.

In contrast, Netflix’s strategy prioritizes profit over artistry, resulting in a continuous cycle of forgettable content despite high budgets and A-list talent involvement. The binge-watching culture fostered by Netflix raises concerns about the lasting impact of their productions.

Notable Netflix movies and their reception

From star-studded films like “The Gray Man” and “Red Notice” to underwhelming releases like “Atlas,” Netflix’s approach to filmmaking varies in quality and audience reception. While some productions like “Don’t Look Up” manage to generate mixed reactions, the overall focus remains on generating views rather than fostering cinematic experiences.

The importance of cinematic experience

Considering the legacy of cinema and the significance of watching films in theaters, dismissing the importance of the viewing experience is seen as a disrespectful standpoint. The disregard for cinematic history and the foundations laid by previous creators echoes a broader cultural shift towards valuing profit over artistic integrity.

Impact on artistic vision and cultural appreciation

The underlying issue extends beyond the realm of cinema, reflecting a broader trend of prioritizing profit over artistic vision and cultural appreciation. Neglecting the rich history and artistic heritage may hinder future creative endeavors and societal development.

Source : www.ynetnews.com

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Mikael Buxton

Mikaël Buxton est fan de séries télé depuis l’enfance. Il a lancé Series-80.net en 2003 pour partager sa passion des séries cultes des années 70, 80, 90 et début 2000. Aujourd’hui, il continue de faire vivre ces souvenirs en écrivant sur leurs retours, reboots, et secrets de tournage.